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But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. While the explicit goal of these memento mori was to remind viewers of life’s fragility and convince them of the urgent need to turn away from earthly pursuits, many of these objects also embraced the material pleasures of life, as they were elegantly crafted and composed of luxurious materials.\u003c\/p\u003e\n\u003cp\u003eMorbid themes run riot in the remarkable array of artworks featured in \u003cem\u003eThe Ivory Mirror\u003c\/em\u003e. Nearly 200 illustrated artworks—from ivory prayer beads and gem-encrusted jewelry to exquisitely carved table sculptures and printed imagery—present us with an aspect of this era that is at once darker and more familiar than we might have expected. In the midst of an increasingly complex and uncertain world, Renaissance artists turned to poignant, often macabre imagery to address the critical human concern of acknowledging death, while striving to create a personal legacy that might outlast it. The essays gathered here discuss the development and significance of this transformative art of the past, while exploring themes that are still relevant today: how does one navigate the implicit tension between mortality and morality and seek to balance individual pleasure with the pursuit of a greater good? \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Perkinson\u003c\/strong\u003e is Peter M. 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Paul Getty Museum. \u003cstrong\u003eEmma Solberg\u003c\/strong\u003e is assistant professor of English at Bowdoin College.\u003c\/p\u003e\n\u003cp\u003ePublished by the Bowdoin College Museum of Art and distributed by Yale University Press, New Haven and London.\u003c\/p\u003e\n\u003cp\u003e240 pages, with 174 color illustrations\u003c\/p\u003e","brand":"Bowdoin College Museum of Art","offers":[{"title":"Default Title","offer_id":36286447249,"sku":"BCMA-17IVORY","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/8212\/products\/bcma-cat17ivory.jpg?v=1571438557"},{"product_id":"constructing-revolution-poster","title":"Constructing Revolution Poster","description":"\u003cp\u003ePoster announces the major exhibition \u003cem\u003eConstructing Revolution: Soviet Propaganda Posters from between the World Wars\u003c\/em\u003e on view from September 23, 2017 through February 11, 2018 at the Bowdoin College Museum of Art.  The poster illustrates \u003ci\u003eFor the Proletarian Park of Culture and Leisure\u003c\/i\u003e, 1932, by Vera Adamovna Gitsevich, Russian, 1897-1976, one of the posters included in the exhibition.\u003c\/p\u003e\n\u003cp\u003eSuitable for framing. 20 w x 30 h inches.\u003c\/p\u003e","brand":"Bowdoin College Museum of Art","offers":[{"title":"Default Title","offer_id":4989883088924,"sku":"BCMA-PST-SOVIET","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/8212\/products\/bcma-pst-soviet.jpg?v=1571438560"},{"product_id":"second-sight-the-paradox-of-vision-in-contemporary-art","title":"Second Sight: The Paradox of Vision in Contemporary Art","description":"\u003cp\u003e\u003cstrong\u003eEllen Y. 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Their work explores what resides on the other side of the visual field, prompting audiences to reflect upon the significance of what we cannot see, whether by choice, habit, or physiological limitations, in the world around us. In so doing, they point to ways of knowing beyond what can be observed with the eyes, as well as to the invisible forces (societal, political, cultural) that govern our own frameworks of experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEllen Y. Tani\u003c\/strong\u003e is the Andrew W. Mellon Postdoctoral Curatorial Fellow at the Bowdoin College Museum of Art. \u003cstrong\u003eAmanda Cachia\u003c\/strong\u003e is Assistant Professor of Art History at Moreno Valley College in Southern California. \u003cstrong\u003eJoseph Grigely \u003c\/strong\u003eis a Chicago-based artist and writer. 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Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. 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This beautifully illustrated book examines this question through the lens of the magnificent objects in the Wyvern Collection of Medieval and Early Renaissance art, accompanying the collection’s first exhibition in the United States. Works include exquisite examples of metalwork, stone and wood sculpture, and illuminated manuscripts from across Europe, as well as the Christian community of Ethiopia. Offering new photography and an accessible text, this book is an essential resource for one of the world’s most important private collections of medieval art, and a fascinating read for all interested in the Middle Ages and the role of art history in exploring our world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eAuthor information:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKathryn Gerry is Visiting Assistant Professor of Medieval Art History at Bowdoin College, Brunswick, Maine. 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Goodyear (Contributor), Carrie Mae Weems (Contributor)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv aria-hidden=\"true\"\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn January 1944, Gordon Parks (1912–2006) photographed Herklas Brown―the owner of a general store and Esso gas station in Somerville, Maine. Parks traveled to the state under the auspices of the Standard Oil Company New Jersey (SONJ) to record their contributions to the war effort and document the home front in this crucial period. His photographs chronicled oil and gas facilities and workers, small-town Esso gas station owners, as well as people whose lives depended on fuel and other SONJ products.\u003cbr\u003eConsistent with his work before and after, Parks prioritized getting to know his subjects as people, photographing Brown not only at his Esso station but also at home with his family. Despite the challenges he faced as a Black man traveling alone, Parks created a compelling documentary record of rural America. The images from this period offer crucial insight into the historic moment, as well as Parks’ early photographic practice directly before he began his tenure at\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLife\u003c\/i\u003e magazine. Published in conjunction with an exhibition at the Bowdoin College Museum of Art,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHerklas Brown and Maine, 1944\u003c\/i\u003e features more than 90 previously unpublished photographs.\u003c\/div\u003e\n\u003cdiv aria-hidden=\"true\"\u003e \u003c\/div\u003e\n\u003cdiv\u003eHardcover – September 30, 2025\u003c\/div\u003e\n\u003cdiv\u003e200 pages.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Bowdoin College Museum of Art","offers":[{"title":"Default Title","offer_id":42558318837849,"sku":"BCMA-CAT25-PARKS","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/8212\/files\/bcma-cat25-parks.jpg?v=1754076007"},{"product_id":"hung-liu-happy-and-gay","title":"Hung Liu: Happy and Gay","description":"\u003cdiv class=\"x_elementToProof\"\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eFrom 2011-2012, renowned Chinese American artist Hung Liu (1948 – 2021) created a series of paintings and works on paper titled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHappy and Gay\u003c\/i\u003e, a fascinating and little-studied series comprising oils on canvas with installation elements and works on paper and based on Maoist propaganda cartoons published during the 1950s and 1960s in small booklets for children in China. This catalogue was published in connection with the student-curated exhibition\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHung Liu: Happy and Gay\u003c\/i\u003e which was the culmination of an Art History\/Museum Studies seminar at Georgetown University focused on Hung Liu’s life and work taught by Dr. Dorothy Moss, former Smithsonian curator and Director of the Hung Liu Estate.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cspan\u003eThe Bowdoin College Museum of Art hosted the exhibition \u003ci\u003eHung Liu: Happy and Gay\u003c\/i\u003e from December 11, 2025 – May 31, 2026.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cspan\u003eSoftcover: 115 pages\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003eCatalogue funded and produced by the Hung Liu Estate, Oakland, CA. Edited by Nick Stone \u0026amp; Jeff Kelley. Designed by Nick Stone. © Hung Liu Estate\u003c\/div\u003e","brand":"Bowdoin College Museum of Art","offers":[{"title":"Default Title","offer_id":42987571216473,"sku":"BCMA-CAT26-HUNG-LIU","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/8212\/files\/bcma-cat26-hung-liu.jpg?v=1768424952"},{"product_id":"bowdoin-college-museum-of-art-water-bottle","title":"Bowdoin College Museum of Art Water Bottle","description":"\u003cp\u003e32 oz. widemouth Nalgene bottle with BOWDOIN COLLEGE MUSEUM OF ART imprint.\u003c\/p\u003e\n\u003cp\u003eBPA-free. \u003c\/p\u003e\n\u003cp\u003eMade in the USA.\u003c\/p\u003e","brand":"Bowdoin College Museum of Art","offers":[{"title":"Default Title","offer_id":43162422771801,"sku":"BCMA-BOTTLE","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/8212\/files\/bcma-bottle.jpg?v=1773944861"}],"url":"https:\/\/store.bowdoin.edu\/collections\/art-museum\/membership.oembed","provider":"The Bowdoin Store","version":"1.0","type":"link"}