Night Vision: Nocturnes in American Art, 1860-1960

Joachim Homann, with contributions from Linda Docherty, Avis Berman, Daniel Bosch, Alexandere Nemerov, and Helene Valance.

Spanning a century from the introduction of electric light to the dawn of the Space Age, this first major survey of American night scenes by artists such as Winslow Homer, Georgia O’Keeffe, Andrew Wyeth, and Joseph Cornell proposes the central importance of nocturnal images in the development of modern art.

This gorgeously illustrated book investigates how leading American artists of diverse aesthetic convictions responded in a range of media—including paintings, drawings, prints, and photographs—to the unique challenges of picturing the night. Retooling their palette and reconsidering their techniques, artists cherished the night as a time of heightened alertness and active imagination. Mysterious and provocative, the darkness was experienced as liberating, both on an aesthetic and personal level—allowing artists to become invisible, turn inward, and express personal truths in unique and poetic ways. Night Vision expands the conversation on American art and the rise of modernism, as it demonstrates how the theme of the night inspired artists who sought to leave behind established styles and traditions to better reflect the broader societal and technological shifts as well as a new understanding of the value of art as personal expression.

Co-published by Prestel and the Bowdoin College Museum of Art in conjunction with an exhibition of the same name on view at the Bowdoin College Museum of Art from June 27 through October 18, 2015.

Hardcover with jacket, 176 pages, 24.0 x 27.9 cm, 9.4 x 11.0 in., 113 color illustrations.

ISBN: 978-3-7913-5466-8



$60.00 USD